We continue our serialisation of Anne by Constance Fenimore Woolson

Tante, not at all disturbed by Miss Vanhorn’s refusal, ordered a simple cloak and bonnet for her through an inexpensive French channel, so that in the street she passed unremarked; but, in the house, every-day life required more courage than scaling a wall. Girls are not brutal, like boys, but their light wit is pitiless. The Southern pupils, provided generously with money in the lavish old-time Southern way, the day scholars, dressed with the exquisite simplicity of Northern schoolgirls of good family, glanced with amusement at the attire of this girl from the Northwest. This girl, being young, felt their glances; as a refuge, she threw herself into her studies with double energy, and gaining confidence respecting what she had been afraid was her island patois, she advanced so rapidly in the French classes that she passed from the lowest to the highest, and was publicly congratulated by Tante herself. In Italian her progress was slower. Her companion, in the class of two, was a beautiful dark-eyed Southern girl, who read musically, but seldom deigned to open her grammar.  The forlorn, soiled old exile to whom, with unconscious irony, the bathroom had been assigned for recitations in the crowded house, regarded this pupil with mixed admiration and despair. Her remarks on Mary Stuart, represented by Alfieri, were nicely calculated to rouse him to patriotic fury, and then, when the old man burst forth in a torrent of excited words, she would raise her soft eyes in surprise, and inquire if he was ill. The two girls sat on the bathtub, which was decorously covered over and cushioned; the exile had a chair for dignity’s sake. Above, in a corresponding room, a screen was drawn round the tub, and a piano placed against it. Here, all day long, another exile, a German music-master, with little gold rings in his ears, gave piano lessons, and Anne was one of his pupils. To Signor Belzini, the teacher of vocal music, the drawing room itself was assigned. He was a prosperous and smiling Italian, who had a habit of bringing pieces of pink cream candy with him, and arranging them in a row on the piano for his own refreshment after each song. There was an atmosphere of perfume and mystery about Belzini.  It was whispered that he knew the leading opera-singers, even taking supper with them sometimes after the opera. The pupils exhausted their imaginations in picturing to each other the probable poetry and romance of these occasions.

Belzini was a musical trick-master; but he was not ignorant. When Anne came to take her first lesson, he smiled effusively, as usual, took a piece of candy, and, while enjoying it, asked if she could read notes, and gave her the  “Drinking Song” from Lucrezia Borgia as a trial.  Anne sang it correctly without accompaniment, but slowly and solemnly as a dead march. It is probable that “Il Segreto” never heard itself so sung before or since. Belzini was walking up and down with his plump hands behind him.

“You have never heard it sung?” he said.

“No,” replied Anne.