By Jill Lawless From St Louis Post-Dispatch

LONDON (AP) — It’s the beard that divided a continent.

The victory of whiskered drag queen Conchita Wurst in the Eurovision Song Contest had celebrities from Nigella Lawson to Russell Brand posting bearded selfies on the Internet in tribute — and Russian men snapping clean-shaven pictures in protest.

For millions of viewers, the annual Eurovision show is a cheesy music competition renowned for its camp, kitsch and electro beats. But the nation-based contest is also a potent mix of patriotism and politics in bubblegum wrapping.

Wurst’s win has exposed a divide between Europe’s progressives and conservatives that British tabloid The Sun cheekily described Monday as the “Furred World War.”

The statuesque brunette with the soaring voice of a diva and a full dark beard called her first-place finish in Saturday’s contest a victory for tolerance and respect. Austrian President Heinz Fischer said it was “not just a victory for Austria, but above all for diversity and tolerance in Europe.”

But Russian Deputy Prime Minister Dmitry Rogozin tweeted that Eurovision had shown the true face of European integration: “a bearded girl.” On social media, a variety of Russian men posted shaving-foam selfies alongside slogans such as “Get shaved, don’t be like a woman!”

Pro-Kremlin legislator Olga Batalina said the Eurovision victory proved the need for Russia’s contentious law banning so-called gay propaganda.

Batalina — deputy head of the family and maternity issues committee of the Duma, the lower house of Russia’s parliament — said Wurst’s victory showed “it’s not enough to have a talent and a good voice to win Eurovision; you also need to reject your nature, identity and traditions.” She chalked the win up to “aggressive and persistent” gay propaganda.

That may sound like a lot of rhetoric over a talent show but Eurovision has always been more than a simple singing contest.

Founded in 1956, the competition pits European nations against one another in pursuit of pop music glory. It has helped launch the careers of stars including Sweden’s ABBA — victors in 1974 with “Waterloo” — and Canada’s Celine Dion, who won for Switzerland in 1988.

But it is more generally loved, and mocked, for its parade of cheesy tunes from quirky performers. The live telecast is watched by some 180 million people and has a particularly strong gay following. It also faces perennial accusations of regional block-voting and geopolitical games.

“(Eurovision is) the one forum in which countries can pass judgment on each other without repercussions,” said Paul Jordan, a political scientist who did his Ph.D. on Eurovision.

Jordan said voting for Wurst “allowed gay fans their revenge on what is happening in Russia.”

“The song and performance were very strong, but other things were going on,” he said.

Western anger at Russia over the crisis in Ukraine also spilled over onto the Eurovision stage.

Eurovision winners are decided by the votes of viewers and national juries from 37 participating countries. During Saturday’s final in Copenhagen, Russia was loudly booed by the audience each time its act — teenage twins Anastasia and Maria Tolmachevy — won points. Russia, which came 7th, got most of its support from neighbors, and gave its maximum points to Armenia, Azerbaijan and Belarus, all former Soviet republics.

Politics, both personal and international, has often intruded on Eurovision.

Transsexual Israeli singer Dana International sparked protests by ultra-Orthodox Jews in her homeland in 1998 but went on to win the contest.

Lebanon withdrew from Eurovision in 2005 after its national broadcaster refused to show the Israeli entry.

Georgia pulled out in 2009 after its song “We Don’t Wanna Put In” — a dig at Russian leader Vladimir Putin — was judged excessively political. Georgia and Russia had fought a war the year before.

Azerbaijan’s turn hosting the show in 2012 drew protests about the country’s human rights record. Last year, Russian politicians alleged vote-rigging after Azerbaijan uncharacteristically awarded no points to Russia. Voting rules have since been changed in a bid to stamp out cheating.

Jordan said despite the divisions it revealed, Eurovision was a unique European institution.

“It gets people talking about what it means to be European,” he said. “It captures people’s imaginations in a way I don’t think the European elections do.”

And for all the noisy rhetoric from some Russians, official results showed that the bearded Wurst was the third most-popular act with that nation’s Eurovision voters.

Associated Press Writer Vladimir Isachenkov in Moscow contributed to this report.

Austrian singer Conchita Wurst attends a press conference in Vienna, Austria Sunday May 11, 2014. Bearded drag queen Conchita Wurst has made a triumphant return to Austria after winning the Eurovision Song Contest in Copenhagen Saturday, in what the country’s president called a victory for tolerance in Europe. (AP Photo/Ronald Zak)

For more on this story go to: http://www.stltoday.com/entertainment/music/wurst-s-eurovision-win-shows-pop-still-political/article_1735b50e-619e-57f6-8c4d-e3f0949314b4.html

Related story:

Transgender Eurovision contest winner condemned by Russian Orthodox Church

By Sophia Kishkovsky – Religion News Service From The Washington Post

MOSCOW — A spokesman for the Russian Orthodox Church strongly denounced the Eurovision Song Contest’s transgender winner, saying it was a sign of the world’s moral decline and part of an effort to “reinforce new cultural norms.”

Conchita Wurst, the stage name of a former band singer from Austria named Tom Neuwirth, won the 59th installment of the competition, held this year in Copenhagen, with a song titled “Rise Like a Phoenix,” which she performed early Sunday (May 11) as a bearded woman in a form-fitting gold dress.

The Eurovision contest draws well over 100 million viewers annually, and the contest has become a point of national pride in Russia, which began competing in the 1990s.

“The process of the legalization of that to which the Bible refers to as nothing less than an abomination is already long not news in the contemporary world,” Vladimir Legoyda, chairman of the church’s information department, told the Interfax news agency. “Unfortunately, the legal and cultural spheres are moving in a parallel direction, to which the results of this competition bear witness.”

Legoyda said the result of the competition was “yet one more step in the rejection of the Christian identity of European culture.”

On Monday (May 12), Vitaly Milonov, a municipal legislator in St. Petersburg known for his anti-gay activism, appealed to Russia’s culture ministry to ban any future performances in Russia by Wurst.

Other Russian commentators pointed out that Russia’s pop-music scene is known for flamboyant performers who bend gender lines.

Both the Kremlin and the Moscow Patriarchate have been positioning Russia as a moral bastion in contrast to Europe and the United States.

The Moscow Patriarchate has condemned the legalization of same-sex marriage in European countries and defended anti-gay legislation in Russia, saying it is meant to protect minors.

Last June, speaking at a monastery atop Mount Athos in Greece, Patriarch Kirill I, the primate of the Russian Orthodox Church, warned that moral relativity is “that ground on which only the Antichrist can come” and singled out sexual morality as a sign of relativism.

“We see what is happening today,” he said. “Same-sex marriages, euthanasia, abortion — that which was always regarded as evil from the point of view of divine truth is no longer considered evil.”

Metropolitan Hilarion of Volokolamsk, chairman of the Russian church’s Department of External Church Relations, said at a conference in Moscow in December that the West was destroying marriage as “the God-created union of man and woman” and warned that countries that are drawn into Europe’s orbit would be forced to accept alien values, in a clear reference to Ukraine.

In April, a controversial group of Russian Orthodox youth activists raided the screening of a documentary film about LGBT teenagers, who are often driven to suicide by their sense of isolation in Russia.

For more on this story and to see the video go to: http://www.washingtonpost.com/national/religion/transgender-eurovision-contest-winner-condemned-by-russian-orthodox-church/2014/05/12/f719a938-da11-11e3-a837-8835df6c12c4_story.html